Adaptive Producing.
Some prompt maniacs. A camera crew. Virtual production. Just me. Classic production. The right call.
Ditch the AI unit. What you need is a new way of producing that adapts to any workflow: shoot, AI, virtual, or hybrid, for exactly what your project demands.
Sebastian.
The right call. Sebastian.
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One Contact.
Full Production Power.
No handovers, no friction, no overhead. Just work that gets done.
Whatever It Takes
Different job, different skills.
Sometimes a shoot.
Sometimes AI.
Sometimes 3D.
Sometimes one specialist.
I assemble the right pieces.
The Decision Layer
You do creative.
I do the route.
You're not paying for hours.
You're paying for decisions that prevent six-figure mistakes.
No Structure Baggage
Change direction whenever you need to without dragging an entire in-house structure with you. You rarely need old-school 1980s advertising setups. I pick the one that actually fits.
Latest Projects
So… who's this guy?
I've spent 20+ years in this industry and worked in almost every department you can think of.
Which mostly means: I've seen how projects usually fail.
Not dramatically.
More like slowly, expensively, and with everyone agreeing a bit too late.
These days I usually get involved when things become complex enough that small decisions start to matter a lot.
My job is to help keep projects solvable.
I read rooms fast, pick up signals most people miss, and try to make sure problems stay small while they're still easy to fix.
I use tech, AI, and new workflows whenever they actually help.
Not because they're trendy. Mostly because they remove friction and bad decisions.
I'm allergic to unnecessary meetings.
I drink decaf. Still don't care.
I work with a big pool of freelancers, so each project scales the way it should: lean, flexible, effective.
If things go well, you won't notice much.
Which is kind of the point.